Short story: The Accident

John sneered up from beneath the car and said: “Christ, Rog, did you do this intentionally?”

“What makes you say that?” Roger asked.

John shook his head and ducked back under. “Because this is the kind of fucked you can only get by going over a speed bump slowly or mounting a surface that’s too high,” he replied, his voice slightly muffled by the vehicle that covered him. “You’re a good driver, mate. So when I see this kind of damage I hafta ask.”

Roger sighed softly and shrugged. “A bit stupid of me.”

“Can say that again.”

Roger did a circuit of the jacked-up car, looking at the flat tires and the scratched-up bumpers. It didn’t look good from this angle. “Prognosis?”

John cleared his throat. “Back bumper’s hanging by metal threads. You’ve put a hole in the exhaust and that’s barely hanging, and you’ve somehow fucked three of the tires so they’re flat. And then you drove home on the things, so the rims are fucked along with the tires.”

“Can you fix it?”

John scoffed. “This is a garage job – I don’t have the tools or the time to fix it. Frankly I feel under-qualified just looking at it. And I’m only doing it as a favour to you.”

“Fair enough,” Roger said and did a second circuit of the car. He huffed constantly as he assayed the damage. “Went over one of those low roundabouts. Not low enough, I guess.”

“Don’t sound like you.”

“Thinking about other stuff.”

“Such as.”

“Trouble at home.”

John paused momentarily. “What?”

“It’s gotten worse.”

John poked his head out from under the car again. “Worse?”

“Yeah.”

“Shit,” John said, looking uncomfortable. “Owt I can do?”

“No more than you’ve done already.”

“Huh?”

“Can you fix marriages and cars?”

John went back beneath the car. “Marriages? Pfffff, can’t even fix my own.”

Roger paused. “Angela’s having an affair.”

“Really?”

He crouched and looked at the top of John’s head. “That’s why I pranged the car.”

John tilted his head so he could see Roger. “Shit, mate. Sorry,” he said and paused. “I guess something like that would make anybody lose control.”

“I didn’t lose control.”

“But, you said…”

“I said it was a bit stupid of me.”

John looked at something directly above him and tinkered with it. “Expensive way of venting steam,” he said, his voice stiff.

“I wasn’t venting steam.”

John angled his head back at Roger. “So you’ve inflicted all this damage for no reason?”

“No. I had a reason.”

John pulled at a piece of metal and threw it to one side. “Which was?”

Roger took a mobile phone from his pocket and prodded the screen. “I wanted you to look at the car.”

John paused. “I don’t understand.”

Roger got on his knees and crept towards the car. “This should explain it.”

John reached out from beneath the vehicle and Roger put the phone in his outstretched hand. He stood up and brushed the knees of his jeans.

John looked at the text, tried to speak but stuttered.

Roger looked at the jack. “Actually I wanted you beneath it.”

John screeched a rapid stream of words, reached out and hooked both hands around the foot of the car, trying to pull himself out. Roger kicked the jack away. The car seemed to hang in the air forever, and Roger worried for a split-second second it wasn’t going to fall at all. Then it dropped with violent finality. John squealed as the vehicle struck; bones cracked loudly, followed by a wheeze as the air rushed from his lungs. Two unmoving hands poked out from beneath the car body. The mobile lay on its back next to Roger’s right hand. The message on the screen read: I wanna see you, babe. Meet me tonight. The wife’s away. Make an excuse for Roger. John. Xxx

Roger squatted on his haunches for a view of the corpse. He saw a strip of bloodied hair in the light, but the rest was in shadow. It was good enough.

He smiled, stood and left the garage, closing the door on the way out.

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Review: Slammer by Allan Guthrie

Nick Glass, or Crystal as he’s known to the other screws and cons, is a rookie guard in an Edinburgh prison, having moved there after his wife had an affair. He’s not respected by either the cons or his fellow guards and his family life is hardly idyllic – his wife is a drinker and he’s having to support her and their daughter because she is pretty much unemployable. So far so bad. But when one of the cons decides that Nick is the perfect mule for importing drugs into prison things go from bad to worse. Initially Nick wants nothing to do with it but when the con uses an outsider to threaten his family, Nick has no choice but to comply. But as things get worse and Nick begins to siphon off and use the drugs he’s smuggling his tenuous grasp on reality begins to fracture completely leading to a murderous finale…

Slammer is dark psycho-noir at its finest. As the story progresses, the world begins to fold in on itself. The tale is told entirely from Nick’s point-of-view and initially gives us clues as to when his mind wanders off at a tangent. However, as things progress and the tension ratchets up several notches the barrier between what is real and what’s imagined collapses, leaving the reader struggling for the truth as desperately as the story’s protagonist. Guthrie’s prose is lean and tight and dense, often packing lots of information and clues into as small a space as possible. He drops hints into the story constantly, but due to his skill and suppleness as a writer the reader is often so caught up in the moment that the bigger picture remains a mystery. If you like your crime fiction pitch-black and nasty you’ll do a lot worse than giving this belter a read.

Review: Wolf Tickets by Ray Banks

Farrell has problem. His girlfriend, Nora, has stolen his twenty grand stash. But, worse still, she’s also taken his Italian leather jacket – the one that makes him look like Franco Nero, at the right angle and the right light. She’s left him a note telling him that if he’s smart he won’t go looking for her.

He ignores it.

He ropes in his mate, Cobb (a flabby,  lightfingered Geordie whose as fast with his lip as he is with a battery-filled sock) and they go looking for her. The path leads them to a crippled drug-dealer, a stolen gun with dodgy bullets, a murdered girl, and a psychotic Irish ex-con with a nifty and nasty line in torture and disfigurement.

Wolf Tickets might not be very long but this novella is a prime slice of crime fiction. The writing is superb – slang driven, tightly knitted prose told from the POV of Farrell and Cobb (alternating a chapter each) – and the story screams along like a nitro-powered race car. Every character is fully fleshed-out (even the minor characters) in a few sentences or lines of dialogue, which, as always with Banks, is flat-out superb. When the book was over I felt sad because it’s a masterful ride while it lasts. If it hadn’t been for Roger Smith’s Capture this would have been my favourite read of the year. Still, it’s a seriously good piece of writing: exciting, frightening, funny and as brutal as Cobb’s battery cosh. Highly recommended.

Review: Beautiful, Naked & Dead by Josh Stallings

At the beginning of Beautiful, Naked and Dead Moses McGuire is one seriously damaged man. He’s in debt, works as a bouncer in a lapdancing bar, can’t afford alimony payments to his bitch of an ex and would rather eat a bullet than go on with this life. His suicide attempt is interrupted by his friend Kelly, a waitress at the club where he works, who leaves a message asking him for help. When he eventually catches up with her it is too late, she has been raped and murdered by persons unknown. He puts aside thoughts of suicide and replaces them with ones of revenge. Initially, McGuire thinks it may have been Russians but eventually the clues link her death to the Italian mob. The path leads him to Kelly’s sister, Cass, pornography, and some unpleasant gangsters who want to turn McGuire and the girl into target practice. But McGuire is tough to kill and an even tougher opponent to cross wits with and decides to hunt them instead. Leading to several bloody showdowns…

Man, Josh Stallings can write. Creating a good first-person voice is difficult to do (particularly if you misjudge the tone). Stallings gets McGuire’s voice spot-on from the get-go: a combination of Chandleresque asides and observations, spare but vivid scene-setting and a keen eye for nailing his characters dead-on (even the minor ones). Also, he’s no slouch at the action stuff, which comes in handy because there’s plenty of it, particularly later in the tale. On top of this compelling voice he builds a strong narrative that drives forward at ever increasing speed; not once does it flag. I raced through it in a couple of days, which seems to be a rarity for me nowadays (as my time is at a premium). If you fancy a top-notch read with zero flab then get yourself Beautiful, Naked and Dead today. You won’t regret it. It comes highly recommended.

Official announcement for my next novel, The Hunters

The Hunters, the first Stanton brothers novel/novella (at nigh on 41,000 words, it’s either a large novella or a short novel), will finally be released on Kindle on the 23rd January (and as a paperback in February). It will be the beginning of a series of novellas, novels and short stories featuring these characters. They will also cross over into several other writing projects that I’m currently undertaking (one of which features Mark Kandinsky, who makes a brief but memorable cameo in The Gamblers, wherein you will find out exactly where he got his bruises from {this will mean nothing to those who haven’t read my first book}). During its first month on release, The Hunters will be on special offer at $0.99 and 99p

A short story collection entitled The Greatest Show in Town and other stories, featuring five shorts about the brothers (along with two or three other stories that don’t feature them), will appear as a Kindle exclusive in February.

A shorter novella, tentatively titled The Glasgow Grin, is well underway and should make it into release later in 2012.

On top of working as a freelance crayon monkey, so that I can earn enough to pay for my food and rent, it’s going to be a very busy year for me.